This was shot in Cine2 on the Sony A7III and graded with my Sony LUTs: If you want to use these LUTs on rec.709 footage make sure to lower the opacity of the LUT and lower the contrast and saturation of your footage. Sony A7III, Sony A7SII, Sony a6300, Sony a6500, Sony a6700, Sony A7R III, Sony A7R IV and every Sony camera that supports Cine2 or other Cine Picture Profiles. Whether you use them as a starting point, in conjunction with other LUTs or as the final touch in your workflow, this pack will give you that special look, sound and feel to your Sony footage.
Sony a7iii lut software#
Compatible with Adobe Premiere, Final Cut X, DaVinci Resolve, Photoshop, and any other software that utilizes 3D LUTs.
These LUTs give you a stylized, aesthetic film look for all kind of shooting scenarios like Outdoor, Landscape and Travel Filmmaking. This subreddit focuses more on photography.A collection of my best Cinematic LUTs for Sony mirrorless cameras and Cine Picture Profiles. You can easily transform hlg to 709 if you want, or leave it in hlg to create an HDR image.Īnd as a final note, I think you'll find more information about video postprocessing by going to /r/colorists. It's almost as much dynamic range as slog2, but requires far less "bending" of the image in postproduction to get a pleasing result, and as such the 8-bit footage tends to hold up better. Of course, since that's all a big pain in the butt, I end up filming in hlg3 about 99% of the time. I found pretty good results by creating a picture profile with the slog2 gamma and the standard 709 color space, and then selecting the appropriate options within a color space transform node inside Resolve. With that said, the major issue with slog2 on an a7iii is that you're limited to 8-bit footage, which means that bending the color space from slog2 to rec709 puts a lot of pressure on the limited data you have. Anything else with respect to LUTs has created pretty unsatisfying results for me. This subreddit is mostly night mode compatibleįrom my personal experience, using either a color managed workflow process or the color space transforms within Davinci Resolve has been solid for dealing with slog2 footage. There are various places around the web you can use to host RAW files. No piracy related posts (asking for presets, trading presets, offering presets, etc.) NSFW images that are not tagged will be removed. We'd like to keep this subreddit for serious discussion only. No joke posts, memes, or rage comics, please. If several minutes have passed and your submission does not appear under NEW, try messaging the moderators, it was probably stopped by the spam filter.
Post processing for video should go to /r/filmmakers. Posts not related to post processing should go in /r/photography. To share a picture, visit /r/photographs, /r/photocritique, or /r/pics. r/postprocessing is for help with editing your photo, linking to information about post processing, and sharing tips with the community. This is not the place to show off your photos. This will let the OP see how they can better edit their pictures. When you make adjustments to a photo, include the steps you took or take a screenshot of your settings. The JPEG will let us preview your shot without downloading it, and the RAW will allow us to edit it more effectively. When you submit a photo, be sure to include both a JPEG and RAW file (if available). Simply asking for others to edit your photo for you, without putting in the effort to make an attempt yourself will result in your post being removed.
When asking for help editing one of your photos, you must also include your attempt. By submitting your RAW files for help, edits for critique, and questions about processing, the reddit community will be able to help you create an amazing final photo. Welcome fellow colorists, retouchers, and photographers! By using programs such as Adobe Lightroom and Apple Aperture, you can transform your photos - enhancing the subject, fixing composition, and setting a mood.
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